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SMEG FAB10HRBL5
SMEG FAB10HRBL5
Sony 24-70mm f/2.8 GM II Lens
- Full-Frame | f/2.8 to f/22
- Fast Standard Zoom
- 22% Lighter, 18% Smaller than Previous
- Four XD Linear AF Motors, Floating Focus
- Aperture De-Click and Lock Switches
- Zoom Smoothness Switch
- XA and Super ED Elements
- Nano AR Coating II and Fluorine Coating
- Rounded 11-Blade Diaphragm
Sony A6400 16-50mm kit
Sony a7 III body
Sony Alpha 1 Mirrorless Digital Camera – ILCE-A1 body
- 50MP Full-Frame Exmor RS BSI CMOS Sensor
- Up to 30 fps Shooting, ISO 50-102400
- 8K 30p and 4K 120p Video in 10-Bit
- 4.3K 16-Bit Raw Video Output, S-Cinetone
- 9.44m-Dot EVF with 240 fps Refresh Rate
- 759-Pt. Fast Hybrid AF, Real-time Eye AF
- 5-Axis SteadyShot Image Stabilization
- Dual Drive Mech. Shutter, 1/400 Sec Sync
- 5 GHz MIMO Wi-Fi, 1000BASE-T Ethernet
- Dual CFexpress Type A/SD Card Slots
Sony Alpha 6400 with 16-50mm f/3.4-5.6 OSS PZ kit
- 24.2MP APS-C Exmor CMOS Sensor
- BIONZ X Image Processor
- Real-Time Eye AF & Real-Time Tracking
- XGA Tru-Finder 2.36m-Dot OLED EVF
- 3.0" 921.6k-Dot 180° Tilting Touchscreen
- Internal UHD 4K Video, S-Log3, and HLG
- Built-In Wi-Fi with NFC
- 425 Phase- & Contrast-Detect AF Points
- Up to 11 fps Shooting and ISO 102400
- E PZ 16-50mm f/3.5-5.6 OSS Lens
Sony Alpha A6500 body
Sony Alpha a7 IV Full-Frame Mirrorless Camera
- 33MP Full-Frame Exmor R CMOS BSI Sensor
- Up to 10 fps Shooting, ISO 100-51200
- 4K 60p Video in 10-Bit, S-Cinetone
- 3.68m-Dot EVF with 120 fps Refresh Rate
- 3" 1.03m-Dot Vari-Angle Touchscreen LCD
- 759-Pt. Fast Hybrid AF, Real-time Eye AF
- Focus Breathing Compensation
- 5-Axis SteadyShot Image Stabilization
- Creative Looks and Soft Skin Effect
- 4K 15p UVC/UAC Streaming via USB Type-C
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.