Showing 1009–1020 of 1173 results
Sony Alpha a7R III Full Frame Mirrorless Camera
- 42.4mp Full-Frame BSI CMOS sensor
- 3inch 1.44m dot tilting touch-screen
- 3686K dot electronic viewfinder (EVF), 0.78x magnification
- 10fps continuous shooting
- 399 phase-detection AF points
- 5-axis in-camera image stabilization
- 4K UHD video recording
- ISO100 - ISO32000, expands to ISO50 to ISO102400
- USB3.1 Type-C
- MicroUSB (for power)
- 14-bit raw, compressed/uncompressed
- Wi-Fi, NFC, Bluetooth built-in
Sony Alpha A7S III body Camera
- 12MP Full-Frame Exmor R BSI CMOS Sensor
- UHD 4K 120p Video, 10-Bit 4:2:2 Internal
- 16-Bit Raw Output, HLG & S-Cinetone
- 759-Point Fast Hybrid AF
- 9.44m-Dot QXGA OLED EVF
- 3.0" 1.44m-Dot Vari-Angle Touchscreen
- 5-Axis SteadyShot Image Stabilization
- Extended ISO 40-409600, 10 fps Shooting
- Dual CFexpress Type A/SD Card Slots
Sony FE 20-70mm f/4 G Lens
Sony FE 24-70mm F2.8 GM
Sony FE 24-70mm F4 ZA OSS Lens
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- One ED and Five Aspherical Elements
- ZEISS T* Anti-Reflective Coating
- Linear Autofocus Motor; Internal Focus
- Optical SteadyShot Image Stabilization
- Dust and Moisture-Resistant Construction
- Rounded 7-Blade Diaphragm
Sony FE 24mm f/1.4 GM Lens
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- Two XA Elements, Three ED Elements
- Nano AR and Fluorine Coatings
- Direct Drive Super Sonic Wave AF Motor
- AF/MF Switch, Internal Focus
- Focus Hold Button
- Physical Aperture Ring, De-Click Switch
- Dust and Moisture-Resistant Construction
- Rounded 11-Blade Diaphragm
Sony FE 50mm f/1.2 GM Lens
- Full-Frame | f/1.2 to f/16
- Extremely Fast Design, Advanced Optics
- Four XD Linear AF Motors, Internal Focus
- Focus Hold Button, AF/MF Switch
- Physical Aperture Ring; De-Click Switch
- Nano AR II and Fluorine Coatings
- Dust and Moisture-Resistant Construction
- Rounded 11-Blade Diaphragm
Sony FE 50mm f/1.4 GM Lens
- Full-Frame | f/1.4 to f/16
- G-Master Design with Advanced Optics
- Two XD Linear AF Motors, Internal Focus
- Focus Hold Buttons & Iris Lock Switch
- Physical Aperture Ring & De-Click Switch
- Rounded 11-Blade Diaphragm
- Nano AR II & Fluorine Coatings
- Dust and Moisture-Resistant Construction
Sony FE 50mm f/1.8 Lens
Sony FE 70-200mm F2.8 GM OSS II Lens
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- One XA Element & Two Aspherical Elements
- Four ED Elements & Two Super ED Elements
- Nano AR Coating
- Dual Linear & Super Sonic Wave AF Motors
- Optical SteadyShot Image Stabilization
- Focus Hold Buttons; Focus Range Limiter
- Dust and Moisture-Resistant Construction
- Rounded 11-Blade Diaphragm
Sony FE 85mm f/1.4 GM Lens
- E-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- One XA Element and Three ED Elements
- Nano AR Coating
- Linear Super Sonic Wave AF Motor
- AF/MF Switch; Internal Focus
- Focus Hold Button
- Physical Aperture Ring; De-Click Switch
- Dust and Moisture-Resistant Construction
- Rounded 11-Blade Diaphragm
Sony FE 85mm F1.8
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.